Using litter and disposables, Albert Mayr alias Jonny Hawaii creates, in his installation-like work situations – a mix of office, stage, garden, nature and garbage dump (Albert Mayr)—interactive performance-sculptures, which he then uses as interfaces for his electronic and electroacoustic music. His Orchester—as an open system of performative possibilities—is a site for the interplay of different sculptures, installations and musicians. Mayr confronts his roots in dada with the idea of networking as a communication model for political activists and organizational structures.
Published on the occasion of the exhibition Albert Mayr—The Jonny Hawaii Orchester at Künstlerhaus Graz, September 11 – November 14, 2010
Using litter and disposables, Albert Mayr alias Jonny Hawaii creates, in his installation-like work situations – a mix of office, stage, garden, nature and garbage dump (Albert Mayr)—interactive performance-sculptures, which he then uses as interfaces for his electronic and electroacoustic music. His Orchester—as an open system of performative possibilities—is a site for the interplay of different sculptures, installations and musicians. Mayr confronts his roots in dada with the idea of networking as a communication model for political activists and organizational structures.
Published on the occasion of the exhibition Albert Mayr—The Jonny Hawaii Orchester at Künstlerhaus Graz, September 11 – November 14, 2010
